Warm-up
Warm-Up — Dreams and Nightmares
There are no right or wrong answers. Choose the option that best reflects your own view, then be ready to discuss with the class.
Listening
B2 First — Listening Part 4
You will hear an interview with Elena Voss, a fantasy author. For questions 1–7, choose the best answer (A, B or C). You will hear the recording twice.
Use of English
B2 First — Use of English: Dreams and Nightmares
This paper has two parts. Read the instructions carefully before each part. You have 20 minutes to complete both parts.
Choose the best word for each numbered gap.
The Enduring Appeal of Fantasy
It is difficult to (1) _______ just how deeply fantasy has shaped modern culture. From bestselling novels to the most successful films ever made, the genre has become so (2) _______ in popular entertainment that it is almost impossible to imagine life without it. Critics once (3) _______ warnings that fantasy was just escapist entertainment with little real artistic value. Yet the genre has consistently (4) _______ those expectations, producing works of real literary quality. Part of its appeal is its ability to (5) _______ on fears that realistic fiction cannot easily reach — worries about power, dishonesty, and losing what matters most. Audiences do not simply (6) _______ these stories once for fun; they come back to them many times, always finding something new. The question of why fantasy (7) _______ such a strong hold over the human imagination seems unlikely to be (8) _______ any time soon.
Vocabulary
Dreams and Nightmares — Vocabulary Practice
Match each word from the unit to its correct definition. All twelve words appear in the listening, reading, and Use of English activities.
Speaking
Reading
B2 First — Reading Part 5
Read the article about fantasy and horror. For questions 1–6, choose the answer (A, B, C or D) which you think fits best according to the text. Each question is worth 2 marks.
Read the text and choose the best answer for each question.
Into the Dark: Why We Need Fantasy and Horror
In the summer of 2019, two films were at the top of the global box office. One was a superhero film; the other was a horror story about a family being followed by dark versions of themselves. Neither was realistic. But both reflected a clear trend: audiences seemed to prefer impossible stories over realistic ones. The question is not simply why fantasy and horror have become so popular, but what this popularity tells us about the kind of world we live in today.
Researchers who study these genres have suggested one interesting explanation: humans are naturally imaginative creatures. We spend a lot of time thinking about things that are not in front of us — the past, the future, things that might never happen. This ability to imagine was probably very useful for early humans, who needed to think ahead and work together in large groups. Fantasy and horror stories may simply be a natural result of this ability — something our minds produce because we are built to imagine.
However, imagination alone does not fully explain why we enjoy impossible stories. Psychologists also talk about something called 'transportation' — the feeling of being so involved in a story that you almost forget the real world. Studies show that the more deeply someone is transported into a story, the greater the effect it has on them. Interestingly, the impossible elements of fantasy and horror — the monster, the dragon, the haunted house — may actually help this process. When the brain encounters something it cannot explain, it has to work harder to make sense of the story, and this deeper effort leads to a more powerful emotional experience.
This could explain why fantasy and horror are so good at developing empathy — the ability to understand how other people feel. If these genres take us deeper into stories than realistic fiction does, they may also be better at helping us see the world through different eyes. Some studies have found that people who read a lot of fiction score higher on empathy tests than those who do not. Fantasy fiction in particular, because it asks readers to understand characters who are very different from themselves, may be especially effective in this way.
There is also a political side to these genres. Throughout history, fantasy and horror have often been used to discuss ideas that were too dangerous to say directly. In places where criticising the government was risky, writers used monsters and magic to talk about real fears — about unfair leaders, poverty, or disease. This is still true today. Some of the most successful horror films of recent years have used scary stories as a way to talk about racism and inequality, reaching audiences who might not engage with these issues through a more direct approach.
Some critics still think of fantasy and horror as less serious than other types of fiction. But this misses the point. These genres do not help people escape from reality — they help people understand it differently. They can explore certain kinds of truth that realistic stories cannot easily reach. The real question is not why so many people enjoy impossible stories. The real question is why anyone ever thought they should not.
Writing
B2 First — Writing Part 2
Enter your name if you would like your teacher to identify your work — this is optional. Click Start when you are ready. The timer will begin immediately.
Teacher Guide
Practise with
- allegorynoun
a story where characters and events represent hidden meanings
- cognitiveadjective
relating to the mental processes involved in learning, thinking, and understanding information
- consumeverb
to eat or use up something
- discomfortnoun
A feeling of physical or mental unease; slight pain or annoyance causing dissatisfaction.
- embeddedadjective
Built firmly into something and difficult to remove or change.
- empathynoun
the ability to understand and share the feelings of another person
- escapismnoun
the tendency to seek distraction from unpleasant reality through entertainment or fantasy
- genrenoun
a category or type of art, music, or literature with particular characteristics and style
- graspverb
To understand something difficult or complex; to hold something firmly in your hand or mind.
- gratuitousadjective
Done without good reason; unnecessary and not serving any real purpose.
- narrativenoun
A story or account of connected events, especially one told from a personal perspective.
- transportationnoun
The system or means of moving people or goods from one place to another.